Menü

Press

March 2012 K. West

REM

The Masked Ball

The conductor, Péter Halász creates electrifying tension and displays nearly bursting power.

Read more
March 2012 Christoph Zimmermann

Orpheus

The Masked Ball

It seems the Péter Halász is truly fascinated by the dark Ulrika-colours in Verdi’s music, giving them dramatic strength and letting them breathe.

Read more
February 2012 Sybille Offergeld

Grenzecho

The Masked Ball

A painting is being created, where music depicts heartache, rebellion, resignation, love, and hatred with intense, burning colours that provides a frame to the voices. The Hungarian Péter Halász creates great contrasts with the orchestra using power, lyricism, and staccato effects.

Read more
February 2012 Armin Kaumanns

Aachener Zeitung

The Masked Ball

The way Péter Halász and the Aachen Symphony Orchestra accompanies the drama is truly enjoyable: it is Verdi with full power.

Read more
January 2012 Christoph Zimmermann

Orpheus

La Voix Humaine / The Combat of Tancredi and Clorinda

There is a convincing performance coming from the orchestra pit: Péter Halász lives up to the expectations required by both Poulenc and Monteverdi.

Read more