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November 2012

Kulturkenner

La Voix Humaine / The Combat of Tancredi and Clorinda

The conductor, Péter Halász  who is able to interpret the glittering sound of Poulenc, also tackles the style of Monteverdi confidently.

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November 2012 Armin Kaumanns

Aachener Nachrichten

La Voix Humaine / The Combat of Tancredi and Clorinda

The drama takes shape and grabs us thanks to the soprano soloist and the symphony orchestra led by Péter Halász, which results in an intense collaboration.

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November 2012 Michael S. Zerban

Opernnetz

La Voix Humaine / The Combat of Tancredi and Clorinda

What a joy is to listen to the music played by the Aachen Symphony orchestra under the direction of Péter Halász. In both pieces, he is taking the orchestra and the audience on a journey in a convincing, focused manner, mostly with the right intensity of sound that transports us from scene to scene and reminds us that Monteverdi’s music is relevant even in the time of war.

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January 2012 Christoph Zimmermann

Orpheus

La Voix Humaine / The Combat of Tancredi and Clorinda

There is a convincing performance coming from the orchestra pit: Péter Halász lives up to the expectations required by both Poulenc and Monteverdi.

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December 2011 Tanja Sprungala

Klenkes

La Voix Humaine / The Combat of Tancredi and Clorinda

Péter Halász leads the Aachen Symphony Orchestra with confidence in both the baroque and the modern pieces fulfilling all stylistic requirements of both excellently.

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